
We’ve all heard the stereotype of Filipinos having parents that are engineers and nurses or that all Asians are good at math and science. I’m sure we all know that this isn’t always the case, but when you think about it how many Filipino-American engineers or scientists do we know of that are recognized for anything significant. Did you know that a Filipino-American invented the first successful moon buggy used by Neil Armstrong during the Apollo 11 mission. Most people wouldn’t because this man is not even listed as the inventor in any books or scientific journals. Eduardo San Juan may not have been recognized officially, but we will recognize him right now for his achievements.
Eduardo San Juan (aka The Space Junkman) was born in the Philippines and graduated from the Mapua Institute of Technology as a mechanical engineer. He later studied Nuclear Engineering at the University of Washington which was one of the first programs of its kind in the 1950s. In 1966 he was hired by Lockheed Missiles and Space Corporations where he was able to produce many concepts for the new field of space technology. His greatest achievement was being the main inventor of the moon buggy. Although the Apollo 11 mission was a success, many critics debunk Eduardo San Juan’s contributions. Even today his family has to answer to these false accusations, but the Filipino community has made efforts to recognize him for his achievements. He did however receive one of the Ten Outstanding Men (TOM) awards in science and technology in 1978. A special print issue of a Philippine postage stamp commemorated San Juan’s invention and honored him during a celebration of the golden foundation anniversary of the Filipino Inventors Society in 1993.

Elisabeth San Juan, the proud daughter of Eduardo San Juan, had the following to say about her father.
“When my Father submitted the conceptual design for the Lunar Rover he submitted it via Brown Engineering, a company owned by Lady Bird Johnson.
During the final test demonstration to select one design from various submissions, his was the only one that worked. Thus, his design won the NASA Contract.
His overall concept and design of the Articulated Wheel System was considered brilliant. Each wheel appendage was mounted not underneath the vehicle, but were placed outside the body of the vehicle and each was motorized. Wheels could work independently of the others. It was designed to negotiate crater ingress and egress. The other vehicles did not make it into or out of the test crater.
In addition to his passion for his work and his love for his family, he was a huge mentor to local students. He spoke at school science fairs and to children in challenged economic areas to encourage them to follow their dreams and not be deterred by anything. He ‘reached for the stars’ and encourage them to do as well.”
Although Eduardo San Juan was not given recognition he deserved for the moon buggy, he continued to work hard and encouraged others to work hard as well. The very creative San Juan also conceptualized other designs for NASA like space shelters as well as jet propulsion and missile trajectory control systems. Although he had a good life abroad, he decided to go back to the Philippines in the late 1970’s to become a university professor and speak at school fairs. He overcame a stereotype that he was consequently also a minority in, but that did not stop him from being an influential engineer.



![When you hear the word ‘Jazz’ what do you think of? Do you hear the blazing trumpets in a big swing band? Or maybe New Orleans, the city that made jazz music famous. How about the Philippines?
The first exposure of jazz music to Pilipinos could of been at it’s birth in Louisiana, where the first Pilipinos settled in America from the 18th century to early 20th century. Jazz bands started to emerge in the Philippines during 1920’s, known as Pinoy-Jazz, where it evolved the same time as American Jazz.
Music, what better way to learn about different cultures and bridge gaps. Today, we see the rebirth of Pilipino and jazz music blend with a newly developed musical genre called “Jazzipino”. Created by a Pilipina jazz singer, Charmaine Clamor.
Charmaine Clamor was born in Subic-Zamblaes Philippines. She began her singing career at the age at 3, where she would sing in the back of buses traveling to Manila. At the age of 16, she moved to California and later earned a masters degree in physical therapy from Cal State-Northridge. While working as a karaoke waitress, she was discovered by the musical director of Crescendo, a vocal jazz harmony quintet.
As an Asian-American Woman, she dazzled fans world wide with her unique soulful voice. Earning her many awards and honors in jazz music including:
Philippines Movie Press Club - 2nd Annual Star Award nomination in Jazz Music
Filipinas Magazine -12th Annual Achievement Award in Entertainment
Filipino Academy of Movie Arts and Sciences [the “Oscars” of the Philippines] -Award of Merit, “Philippine Pride Best Jazz Singer”
Asian Heritage Society - 6th Annual Asian Heritage Award in Performing Arts
National Federation of Filipino American Associations - V-Day “Vagina Warrior” Award for Championing Women’s Rights
State of California and City of Los Angeles - Certificate of Recognition in Performing Arts
Filipino Women’s Network - 100 Most Influential Filipino Women in the United States
Many of Clamor’s songs are conscience driven, with subject matters that include: women issues, stereotypes, equity, environmental, and the Pilipino identity. She has been credited with introducing Pilipino culture to mainstream jazz audiences, bridging the gap between American and Pilipino Cultures. As a founding member of JazzPhil-USA, she has helped many jazz artist of Pilipino descent in the United States. She has also narrated a documentary film, The Hidden Dream, which explores Pilipino’s relationships with America.
“‘Jazzipino’ is the ultimate expression of my artistic self, a Filipino-American. Jazz has always been an immigrant’s music, open to different spices that each culture adds to the stew. This is my Filipino contribution to the continuously evolving unique American art form we call jazz.”-Charmaine Clamor
Jazz, hopefully the Philippines just popped in your head. As Charmaine Clamor and many like her have proven, no matter who you are or where you come from, if you have the courage and the passion, you can sing any song you desire.
-Jordan Juliano](http://25.media.tumblr.com/tumblr_m04s52Czml1r5xzlbo1_400.jpg)

